A look at the "King" Cello, crafted by Andrea Amati around 1560 for King Charles IX of France, which remains playable today at the National Music Museum.
Is the mystique around Stradivarius instruments subjectively put on a pedestal like wine tasting or audiophiles or can someone actually tell the difference in a blind test?
Only a handful of controlled tests have been conducted and listeners failed to identify or prefer the Strads. None of the experiments were very big so there might be a perceptible difference that can be detected with more statistical power. Blinding the eyes and noses of top level musicians might bias the results.
It is very difficult to obtain access to the instruments. The general sentiment from musicians and collectors seems to be that they don't want a bunch of scientists to come into their world and tell them that what they are or are not hearing or they just don't understand why controlled tests are required.
Furthermore, there are many intangible qualities of the way an instrument resonates and feels while playing that often contributes more to the better playing than the raw sound itself. It’s strange to say but instruments have a sort of soul and that can inspire musicians which leads to better sound
A look at the "King" Cello, crafted by Andrea Amati around 1560 for King Charles IX of France, which remains playable today at the National Music Museum.
You don't hear things by that instrument maker every day.
The grandaddy of the guy that taught Stradivarius.
Is the mystique around Stradivarius instruments subjectively put on a pedestal like wine tasting or audiophiles or can someone actually tell the difference in a blind test?
Only a handful of controlled tests have been conducted and listeners failed to identify or prefer the Strads. None of the experiments were very big so there might be a perceptible difference that can be detected with more statistical power. Blinding the eyes and noses of top level musicians might bias the results.
It is very difficult to obtain access to the instruments. The general sentiment from musicians and collectors seems to be that they don't want a bunch of scientists to come into their world and tell them that what they are or are not hearing or they just don't understand why controlled tests are required.
Furthermore, there are many intangible qualities of the way an instrument resonates and feels while playing that often contributes more to the better playing than the raw sound itself. It’s strange to say but instruments have a sort of soul and that can inspire musicians which leads to better sound