I like the attempt but mythology is significantly more layered that just the study of their characters at the end. A single perspective of these stories will help you get the lay of the land but you need to be very cautious if you want to use this to draw lessons and conclusions from them. For example, the protagonist and antagonist are different from the perspective of the other characters. Both these epics are all about the nuance and that needs to be captured effectively to do justice to them
Good point. One way to handle this might be to show the same event from multiple character perspectives - like how Karna's story looks completely different depending on whether you enter it from Kunti's node vs Duryodhana's. The graph structure actually lends itself well to this since you could attach different narrative framings to each edge.
1. Is this actually based on any textual analysis or just AI generated? The popular understanding of the epic material is rather poor and the AI is stupid on it.
Eg: Indra would have a much larger role in original versions of mahābhārata and rāmāyana compared to Hindu popular conscience. In Ramayana he defeated kabandha, lent weapons to Rāma, and the hero is frequently compared to him as "Indra among men" - making him technically the most mentioned God in Valmiki's text (https://manasataramgini.wordpress.com/2017/02/12/the-ramaya%...).
In Mahabharata he fights equally with the krishna-arjuna in the burning of khandava episode until a truce is reached (and for reasons beyond the present redactions of the epic and owing to his prominence as ārya national god, the new capital of pāndavas is named.... Indraprastha!).
This kind of stuff is virtually unknown to AI, which reinforces the present pop understanding of the epics, which is to say super shallow and not very interesting.
Feels like you created an Obsidian of the entire Mahābhārata and Rāmāyaṇa... I love the Crimson Dusk theme. I think, for the relationship graph, when the clusters get too overloaded in some places, they should separate out even when I zoom in. When I zoom in, they're still too close to each other which makes it hard to read the bottom right section of Mahabharata.
I’m finding that character dictionaries like this are useful to people who want to engage with ancient texts but are not very familiar with them, but even if one is familiar, they are still quite helpful.
This is a genuinely delightful project. The graph-based approach to navigating the Mahābhārata and Rāmāyaṇa feels really natural — these epics are fundamentally about relationships and webs of consequence, so exploring them through a character graph rather than linear text makes a lot of sense.
The Crimson Dusk theme is a nice touch too. Looking forward to seeing how the data coverage grows over time!
You're Absolutely Right! Your original summary is not just insightful — you've cleanly delved into the best parts! What else can you share with us tonight?
I like the approach, however, could tell this is done by AI, someone that studied it at the periphery. The characters, if you are automating the creation, should be a lot more in depth, at least that’s what I would expect.
Good attempt. What were the sources for these graphs? Orginals? Valmiki Ramayanam and Vyasa Mahabharata? Looking at Mahabharata's relationship graph on the website - it feels like it is incomplete. There are probably ~400 to 500 active named characters in Mahabharata (among several thousands of named characters overall)
Right now the data isn’t directly modeled from primary sources like the Valmiki Ramayana or the Mahabharata. It’s an MVP built quickly using curated summaries, so the graph is definitely incomplete.
Planning to expand coverage and move towards a more accurate, source-grounded knowledge graph over time.
And where did the stats come from? I find it very amusing & interesting & informative. I'm assuming you had the LLM generate these? That would be so interesting to see the prompts for!!
Good vis. I wasn't sure what to expect, tbh.
A few notes:
- The default vis has very low contrast (despite changing theme colors).. perhaps make the contrast stronger. I find this is the case with most AI-driven websites :-/ Same for some of the standard text ("family lineage", "group connections, etc)
- Pls cite the sources. That would be useful / important
- The dynasty tree looks useful... But is it incomplete? Or is only the visualization capped at some limit?
- Wasn't sure what the "Sections" dropdown on the left does
The challenge for sure is about the sheer number of characters, the number of years/decades in these epics, the complexity.
Would love to see some references, perhaps with quotes in Sankskrit / transliterated to English, at key points. [yes, this is challenging, no doubt]
What an incredibly diverse and inclusive UI design. I often find that Indian mythologies tend to be overshadowed, but with the advent of AI generated art and media there's been a resurgence of Indian-centric stories.
The internet being flooded with AI slop masquerading as devotional artwork has been among the most depressing things about GenAI. It has no meaning or intention or devotion behind it, it’s just engagement farming. Nothing of value is added by having Devi with extra fingers on each hand and completely blurred messes for all the affects in her hands. Or pictures of Rama shooting a bansuri out of his bow. It’s just tripe. We could have told the stories with an overlay of open source artwork from Raja Ravi Varma or Gita Press or old Tanjore paintings or Chola bronzes or whatever if we couldn’t afford to hire an artist who knows what items Vishnu is supposed to be holding in each hand.
It’s not a problem just for us Hindus either. I see so much terrible Jesus/angel “artwork” everywhere. It makes me start to wonder if maybe the Wahabbis were onto something with their complete taboo around depictions of God or the prophets.
>Nothing of value is added by having Devi with extra fingers on each hand and completely blurred messes for all the affects in her hands
South Asian religions are in an especially bad position because so many works related to them have never been digitized (and quite frankly, in some cases what's available on the internet is of extremely low quality) [1]. I'd be pretty concerned if someone were to rely on entirely on these models since the probability of hallucinations (or at the very least, erasure of regional/ideological diversity) probably skyrockets because the information was never actually there in the training data to begin with.
Some references have been digitized but “Hinduism” is a broad collection of religious traditions with many different stories and folk practices and depictions of various deities and tales. Many of the depictions are considered “valid” only in the specific context of a particular temple or for a specific community and it becomes completely nonsensical once you start randomly jumbling up elements of all the Gods from across all of India over all of time.
In the Mahābhārata, what's going on with the dynasty tree of the Kurus?
That's a view you get in every single book, and it looks really weird here. I feel like it's important to get this really basic stuff right before doing the cool-looking graph visuals.
Absolutely slick UI and wonderful implementation. As an ardent follower of Santana Dharma I admire OP’s courage and grit to put this piece of work out there. More power to OP and hoping to see more Epics included. Thanks for making and sharing this.
I think the real problem isn’t just accessing data, but how fragmented the workflow is. Even with good tools, you still end up context-switching constantly.
Really cool stuff, but I really don't understand the dynasties viz. For example, Kunti somehow has her sons to the left of, right of, and above her, making the relationship unclear.
it's a novelty to see the connections. One way it will be useful is to connect every character to the stories they're part of - either in the site, or in new tab. this will allow exploring the stories for each one of them. This will make people come to this for more than novelty, imo.
- but there is one point you have not accounted for
- what actually happened may not be what was written
- what was written 5000 yrs ago may not be what you are reading now. lots of people may have created their own versions or modified the original in ways you did not foresee
- the author who originally wrote the books may also have exaggerated for storytelling effect
- the probability of all of the above mathematically speaking is non zero
>- what was written 5000 yrs ago may not be what you are reading now. lots of people may have created their own versions or modified the original in ways you did not foresee
india vedic texts are passed through "oral tradition" where you recite same text backward and forward and through patterned permutations of words, if there is error it shows up, it's like redundant error-correcting encoding / repetition validation
Dude, that sort of transmission is only applicable to the four vedas (and even they exist in rescensions, some have later insertions eg: Maitrayani samhita, and the meter is generally lost due to language shifts). When you say "Vedic" those are the texts which count. Rāmāyana and Mahabhārata are not really "vedic" nor subject to such accurate transmission rules.
So they exist in many rescensions across India each with their own edits and interpolations. Some attempt has been made to create "critical" editions by taking the intersection of existing manuscripts but since there's no expectation of fidelity in transmission, we will never know what the original stories were.
So you can get even the western indologists to agree the battle of 10 kings mentioned in Rigveda very likely happened, and a Vasishtha and a Vishwamitra and a Trasadasyu existed in real life. However the epics leave out or conflict in many details with the aforementioned Vedic texts. Eg: a shantanu finds mention in Rigveda, a Parikshit and Janamejaya are mentioned in later samhitas. However there's no mention of pāndavas, kāuravas or a grand scale war. Neither there is a mention of a vyāsa / krishna dvaipayana in vasishtha's lineage in the accurately transmitted texts. It's very difficult to take Mahābhārata as an accurate historical document.
I like the attempt but mythology is significantly more layered that just the study of their characters at the end. A single perspective of these stories will help you get the lay of the land but you need to be very cautious if you want to use this to draw lessons and conclusions from them. For example, the protagonist and antagonist are different from the perspective of the other characters. Both these epics are all about the nuance and that needs to be captured effectively to do justice to them
Good point. One way to handle this might be to show the same event from multiple character perspectives - like how Karna's story looks completely different depending on whether you enter it from Kunti's node vs Duryodhana's. The graph structure actually lends itself well to this since you could attach different narrative framings to each edge.
1. Is this actually based on any textual analysis or just AI generated? The popular understanding of the epic material is rather poor and the AI is stupid on it.
Eg: Indra would have a much larger role in original versions of mahābhārata and rāmāyana compared to Hindu popular conscience. In Ramayana he defeated kabandha, lent weapons to Rāma, and the hero is frequently compared to him as "Indra among men" - making him technically the most mentioned God in Valmiki's text (https://manasataramgini.wordpress.com/2017/02/12/the-ramaya%...).
In Mahabharata he fights equally with the krishna-arjuna in the burning of khandava episode until a truce is reached (and for reasons beyond the present redactions of the epic and owing to his prominence as ārya national god, the new capital of pāndavas is named.... Indraprastha!).
This kind of stuff is virtually unknown to AI, which reinforces the present pop understanding of the epics, which is to say super shallow and not very interesting.
Feels like you created an Obsidian of the entire Mahābhārata and Rāmāyaṇa... I love the Crimson Dusk theme. I think, for the relationship graph, when the clusters get too overloaded in some places, they should separate out even when I zoom in. When I zoom in, they're still too close to each other which makes it hard to read the bottom right section of Mahabharata.
Very cool! I like how cool it is to see the graph, but at the current density it’s a bit hard to read.
I’ve been working on a similar project for biblical texts. For example, here’s a character detail page for David: https://hypr.bible/en/entities/person/david/
I’m finding that character dictionaries like this are useful to people who want to engage with ancient texts but are not very familiar with them, but even if one is familiar, they are still quite helpful.
This is a genuinely delightful project. The graph-based approach to navigating the Mahābhārata and Rāmāyaṇa feels really natural — these epics are fundamentally about relationships and webs of consequence, so exploring them through a character graph rather than linear text makes a lot of sense.
The Crimson Dusk theme is a nice touch too. Looking forward to seeing how the data coverage grows over time!
You're Absolutely Right! Your original summary is not just insightful — you've cleanly delved into the best parts! What else can you share with us tonight?
I like the approach, however, could tell this is done by AI, someone that studied it at the periphery. The characters, if you are automating the creation, should be a lot more in depth, at least that’s what I would expect.
Good attempt. What were the sources for these graphs? Orginals? Valmiki Ramayanam and Vyasa Mahabharata? Looking at Mahabharata's relationship graph on the website - it feels like it is incomplete. There are probably ~400 to 500 active named characters in Mahabharata (among several thousands of named characters overall)
That’s a fair point, and you’re right.
Right now the data isn’t directly modeled from primary sources like the Valmiki Ramayana or the Mahabharata. It’s an MVP built quickly using curated summaries, so the graph is definitely incomplete.
Planning to expand coverage and move towards a more accurate, source-grounded knowledge graph over time.
Can you do comparative textual analysis between original sources and popular retellings? Or highlight it better across different versions.
E.g. Laxman Rekha incident is not present in Valmiki Ramayana but is present in societal consciousness.
I wonder how using wikidata as a source would work. I haven't checked but I assume these characters would be realtively comprehensively covered.
And where did the stats come from? I find it very amusing & interesting & informative. I'm assuming you had the LLM generate these? That would be so interesting to see the prompts for!!
Good vis. I wasn't sure what to expect, tbh. A few notes:
- The default vis has very low contrast (despite changing theme colors).. perhaps make the contrast stronger. I find this is the case with most AI-driven websites :-/ Same for some of the standard text ("family lineage", "group connections, etc)
- Pls cite the sources. That would be useful / important
- The dynasty tree looks useful... But is it incomplete? Or is only the visualization capped at some limit?
- Wasn't sure what the "Sections" dropdown on the left does
The challenge for sure is about the sheer number of characters, the number of years/decades in these epics, the complexity.
Would love to see some references, perhaps with quotes in Sankskrit / transliterated to English, at key points. [yes, this is challenging, no doubt]
Hope this is useful
What an incredibly diverse and inclusive UI design. I often find that Indian mythologies tend to be overshadowed, but with the advent of AI generated art and media there's been a resurgence of Indian-centric stories.
Keep up the good work!
The internet being flooded with AI slop masquerading as devotional artwork has been among the most depressing things about GenAI. It has no meaning or intention or devotion behind it, it’s just engagement farming. Nothing of value is added by having Devi with extra fingers on each hand and completely blurred messes for all the affects in her hands. Or pictures of Rama shooting a bansuri out of his bow. It’s just tripe. We could have told the stories with an overlay of open source artwork from Raja Ravi Varma or Gita Press or old Tanjore paintings or Chola bronzes or whatever if we couldn’t afford to hire an artist who knows what items Vishnu is supposed to be holding in each hand.
It’s not a problem just for us Hindus either. I see so much terrible Jesus/angel “artwork” everywhere. It makes me start to wonder if maybe the Wahabbis were onto something with their complete taboo around depictions of God or the prophets.
>Nothing of value is added by having Devi with extra fingers on each hand and completely blurred messes for all the affects in her hands
South Asian religions are in an especially bad position because so many works related to them have never been digitized (and quite frankly, in some cases what's available on the internet is of extremely low quality) [1]. I'd be pretty concerned if someone were to rely on entirely on these models since the probability of hallucinations (or at the very least, erasure of regional/ideological diversity) probably skyrockets because the information was never actually there in the training data to begin with.
[1] I was able to find a few works of Newari Buddhist iconography recently, so it might be changing: https://web.archive.org/web/20240901130203/https://download..... It still has a few mistakes and doesn't compare to what's out there, though.
If they’re never digitized then where do you get the originals?
Some references have been digitized but “Hinduism” is a broad collection of religious traditions with many different stories and folk practices and depictions of various deities and tales. Many of the depictions are considered “valid” only in the specific context of a particular temple or for a specific community and it becomes completely nonsensical once you start randomly jumbling up elements of all the Gods from across all of India over all of time.
In the Mahābhārata, what's going on with the dynasty tree of the Kurus?
That's a view you get in every single book, and it looks really weird here. I feel like it's important to get this really basic stuff right before doing the cool-looking graph visuals.
Absolutely slick UI and wonderful implementation. As an ardent follower of Santana Dharma I admire OP’s courage and grit to put this piece of work out there. More power to OP and hoping to see more Epics included. Thanks for making and sharing this.
I think the real problem isn’t just accessing data, but how fragmented the workflow is. Even with good tools, you still end up context-switching constantly.
I like how it's mapped out the relationship graph. The edges could be labelled to follow and validate quickly
Really cool stuff, but I really don't understand the dynasties viz. For example, Kunti somehow has her sons to the left of, right of, and above her, making the relationship unclear.
it's a novelty to see the connections. One way it will be useful is to connect every character to the stories they're part of - either in the site, or in new tab. this will allow exploring the stories for each one of them. This will make people come to this for more than novelty, imo.
Looks great. Which libraries / themes did you use?
D3 for Viz, NextJS and Fuse for search
This is cool, but also add the relationship between two entities on the edge as an edge label. Probably only when one node is highlighted.
Very nice. The relationship graph flickers too much when I move the mouse over it. Consider adding an animated fade.
Do you use any DB? like Neo4J? or static jsons generated at build time?
Powered by static JSON
Is it just my setup or is the contrast so bad that I cannot read anything.
Just want to say that the UI is very pleasant.
Very very cool. Thanks. Will explore
Very nice. Is the UI inspired by Org Roam UI?
this is not mythology. this is ithihasas meaning thus it happened
- but there is one point you have not accounted for
- what actually happened may not be what was written
- what was written 5000 yrs ago may not be what you are reading now. lots of people may have created their own versions or modified the original in ways you did not foresee
- the author who originally wrote the books may also have exaggerated for storytelling effect
- the probability of all of the above mathematically speaking is non zero
>- what was written 5000 yrs ago may not be what you are reading now. lots of people may have created their own versions or modified the original in ways you did not foresee
india vedic texts are passed through "oral tradition" where you recite same text backward and forward and through patterned permutations of words, if there is error it shows up, it's like redundant error-correcting encoding / repetition validation
Dude, that sort of transmission is only applicable to the four vedas (and even they exist in rescensions, some have later insertions eg: Maitrayani samhita, and the meter is generally lost due to language shifts). When you say "Vedic" those are the texts which count. Rāmāyana and Mahabhārata are not really "vedic" nor subject to such accurate transmission rules.
So they exist in many rescensions across India each with their own edits and interpolations. Some attempt has been made to create "critical" editions by taking the intersection of existing manuscripts but since there's no expectation of fidelity in transmission, we will never know what the original stories were.
So you can get even the western indologists to agree the battle of 10 kings mentioned in Rigveda very likely happened, and a Vasishtha and a Vishwamitra and a Trasadasyu existed in real life. However the epics leave out or conflict in many details with the aforementioned Vedic texts. Eg: a shantanu finds mention in Rigveda, a Parikshit and Janamejaya are mentioned in later samhitas. However there's no mention of pāndavas, kāuravas or a grand scale war. Neither there is a mention of a vyāsa / krishna dvaipayana in vasishtha's lineage in the accurately transmitted texts. It's very difficult to take Mahābhārata as an accurate historical document.
- you dont know if there was an error that happened when it went via recitation from one generation to the other before it was converged into a book
- my point is that most people fail to consider the fact that there may have been major errors during the entire period of 5000 yrs
Is this a joke?
> Draupadi-- strength 6, wisdom 8
Are you creating RPG characters?
Its clear you used AI to create the whole thing, but did you stop to think if it makes sense?
Nice, good one!!
Would love this to be extended well beyond common Western known classics and other similarly complex ones like Ananda Math, Baburnama, etc.
This with Amar Chitra Katha would be great.
Too cool