I think it's a reasonable statue. But does anyone else think it's a bit obvious, more so than his other work? Like there is no doubt on the meaning at all, it's all right there on the surface level.
I don't think most of his work is trying for subtle? First thing that came to mind: "Slave Labour" is pretty obvious, it's a kid operating a sewing machine to make Union flags and it was painted an actual pound shop. Were you unsure of the message? Even something like "Silent Majority" isn't difficult, the comic book "V for Vendetta" makes the exact same point just Banksy painted it as a mural.
it gets people talking which many of those who like it consider to be the primary point. In other words, it's not great public art, it's basically government approved engagement bait or engineered pro-establishment viral messaging and it's very successful at that! (but it doesn't inspire and elevate that art should aspire to)
I have the same reaction to Banksy, and figure he and his audience just have to be in on the joke? I can’t discount there’s some layered irony going on in conversation between the artist and the intellectual / capitalist / trend-setting elite that are his effective patrons.
“I remember when all this was trees” [1] is maybe the best example. Detroit hasn’t been “trees” in something like two centuries. Platitudes doused in treacle.
Statues are probably the least sophisticated type of art being as they are a literal representation of the subject. I believe this is part of the message Banksy intends to convey with this statue.
Are you from the UK and know what the piece is a reference to? It’s topical and unpretentious and comes at a time where the country is splintering. Feels a like a bit of a distant midwit take to take shots at the appeal it has.
Splintering? You have two zombie parties that are really the same in different colours. Of course people are going to vote for other parties that seem more left/right wing. Predictable consequence.
The ambiguity is part of the charm. Something that reveals more about the beholders than the artist makes for stimulating conversation and discovery.
Even the new positioning of the art on a plinth in some open space is enigmatic. If it were a critique of the powers that be, why would officialdom collaborate in propping it up?
Is it though? This can mean anything. Is waving a Palestinian flag the same as waving an Israeli flag? Where do we draw the line between harmful and productive nationalism? Who exactly is blinded by nationalism?
It is vague enough to appear deep to those trying to find something deep but not concrete enough to appear as anything that will stick in people's minds for more than a week. Unfortunately a lot of modern art is like this.
Any attempt at "both sides" messaging is just an attempt of diversion from ethnic cleansing. Cute messages break down the moment you look at things more concretely.
Even if you don't care about palestine, keep in mind imperialist states never stop at one place as we are already seeing.
Most galvanizing statements have been pithy and comprehensible to 13 year olds. The general population is not doing a deep dive in to something like Thoreau’s “Resistance to Civil Government,” contemplating the proper role of government, and then getting fired up to act. We need CliffsNotes, slogans, and visible art like this.
You're being downvoted but honestly the "everyone is twelve now" meme explains our collective societal dysfunction perfectly.
There's no point to complexity or subtlety in art anymore, or even any kind of symbolism at all. Anything that needs to be interpreted, that doesn't have a single objective meaning which gets spelled out for you. Flag man is silly. Everyone is twelve now.
He's also king of the "I'll criticize the west but I'll turn a blind-eye to non-democratic countries' wrongdoings". A trait shared with virtually all intellectuals and artists in the west.
There are fights worth fighting: for example there are 300 million women alive who have undergone forced genital mutilation. 300 million ain't cheap change. There are also hundreds of millions of people who applauded the killing of 1200 young civilians who were enjoying life at a music festival "because it's resistance".
Applauding the killing of young unarmed civilians, genitally mutilating women and turning a blind-eye to a regime slaughtering 30 000+ of its own unarmed civilians is where I personally draw the line and consider there are maybe more important things to complain about than, say, "the patriarchal western society built by heterosexual white men" or some other woke non-sense like that.
Now to be honest Banksy did art criticizing war overall, not just war started by the west. So a generous reading could consider that he also criticizes things like the 800 000 deaths during the Hutu vs Tutsi war.
But still overall: lots of balls from western artists when it's about criticizing the west, but tiny tiny nuts when it's about, say, attacking the ideology that is responsible for 300 people enjoying music at the Bataclan and then getting slaughtered.
But these people can live with their own conscience: I speak up and I've got mine.
That's a lot of imaginary flaws in imaginary people, with imaginary numbers as scaffolding.
The moral posture you're criticising is not actually a thing, I personally don't know of any Western intellectual who criticises the West but is fine with FGM for example. But it seems that the fault you find in them is that when they criticise the West, for example, they don't also add a list of grievances against all the other countries (but surely they'd have to speak for 10 hours every time they open their mouths?).
It's also funny how you take the 30,000 Iranian civilians killed at face value, but don't talk about the wrongs of the British empire. And you didn't even mention North Korea once. You see the issue with your reqs?
What do you want the artists to do about it? Part of art's power is shining a light on something we don't notice day to day. Most westeners are against mutilation, what would the art say?
Art will always be about speaking truth to power, and that power will usually be the one closest felt. There's not much value in a swede speaking truth to Nigerian warlords.
Maybe, but in 100 years, people looking back on the current era will easily understand the work. It symbolically communicates something about the spirit of the age.
I'm not sure what you mean by "Those in power" there are lot's of people who know, but recognise that he has chosen anonymity and see no value in putting a name to the person.
It's not so much a secret as it is simply not public.
The piece states that it appears to be molded fiberglass. But is anyone aware of any more in depth analysis of its materials/possible production technique? Was the pillar barren on top before?
There's a (mostly terrible) documentary about a previous bansky "statue" deposited in London that,
in one of its better moments, tracks down the people who actually make statues for artists like banksy.
Banksy (Robin Gunningham) is the most mainstream establishment artist, while thinks himself a counter-culture revolutionary. That's what makes him so cringe. He's just another champagne socialist.
It doesn't make sense in the City. Waterloo Place, where he put this, has a bunch of statues already for tourists to gawp at, just now as well as "Bloke on a Horse who was an important military leader" there's this guy stepping off his plinth because the flag blocks him from seeing what's in front of him.
The City is dead at night. If an artist wants to put art there, they'd just as somebody else said, dress up like they are workmen and be fine.
It took me a minute to figure out why I think it's lame.
I suspect that Banksy and his fans are sure that it's "the other" Britons that are blinded, it's not a self-reflection prompt for them. Maybe I am wrong.
Maybe a more powerful piece of art would have that self reflection effect across the board. As is it feels about as nuanced as "fuck trump" and similar. If you already agree you already agree, if not then you just think it's stupid. So ultimately feels like impotent art unless I am totally misunderstanding.
So many people connect this to political topics... For me this is the genius thing about the statue. Seems to be, that quite a lot people are so wrapped up in political debates and political positions, that it has to have political meaning. Maybe this statue is the exact opposit thing of a political message.
Who decides that this is from Banksy? I could make a stencil graffiti in my village and claim it's from Banksy and noone could prove me wrong. Or is he using a digital signature as proof of authorship?
Israel should give up on the apartheid, genocide, and the war crimes. No one but the worst of the worst Zionists want to see the continuation of the last 80 years.
Remember kids. Don't believe in anything. Don't join anything. Don't give even a small part of yourself up to anything. Don't be part of anything bigger than yourself.
Well, for a failing artist he is quite impactful, isn't he? News around the world reporting about it. People discussing it. This seems to be quite inspiring and anything else but failing.
The point is not just that he's blinded by the flag: He's boldly marching into the void, confident. "wrapped in the flag" is a great saying.
Worse than a void because a void is not necessarily bad. Walking “off a cliff” rarely ends well.
I think it's a reasonable statue. But does anyone else think it's a bit obvious, more so than his other work? Like there is no doubt on the meaning at all, it's all right there on the surface level.
Not sure we think of Banksy as being particularly subtle. Innovative and impactful, sure - but the message is usually quite clear, no?
It's always been about as subtle as a sledge hammer
I don't think most of his work is trying for subtle? First thing that came to mind: "Slave Labour" is pretty obvious, it's a kid operating a sewing machine to make Union flags and it was painted an actual pound shop. Were you unsure of the message? Even something like "Silent Majority" isn't difficult, the comic book "V for Vendetta" makes the exact same point just Banksy painted it as a mural.
> there is no doubt on the meaning at all
Which flag? Or, what kind of flag? Or does it matter?
It is universal. The flag, the state, the man. Details don't matter.
Certainly in America but all over the west, people are significantly less capable of media literacy. Sometimes the obvious needs to be said.
it gets people talking which many of those who like it consider to be the primary point. In other words, it's not great public art, it's basically government approved engagement bait or engineered pro-establishment viral messaging and it's very successful at that! (but it doesn't inspire and elevate that art should aspire to)
> engineered pro-establishment viral messaging
I don’t understand this. What speaks pro-establishment in this piece?
If one can read this as pro-establishment, it's proof that the the art is indeed not so obvious as suggested above :)
I think a good old fashined "we are all fucked" is warranted now and again.
It's also referencing the recent flag controversies in the UK over the past year.
Yes doesn’t feel very innovative
Do know know of any “prior art”, so to speak?
Well the problems its referencing are glaringly obvious as well, and yet so many people still refuse to acknowledge them.
I have the same reaction to Banksy, and figure he and his audience just have to be in on the joke? I can’t discount there’s some layered irony going on in conversation between the artist and the intellectual / capitalist / trend-setting elite that are his effective patrons.
“I remember when all this was trees” [1] is maybe the best example. Detroit hasn’t been “trees” in something like two centuries. Platitudes doused in treacle.
[1] https://www.usatoday.com/story/news/nation-now/2015/10/01/ba...
Statues are probably the least sophisticated type of art being as they are a literal representation of the subject. I believe this is part of the message Banksy intends to convey with this statue.
Banksy is the patron saint of the “I’m 13 and this is deep” mentality.
Are you from the UK and know what the piece is a reference to? It’s topical and unpretentious and comes at a time where the country is splintering. Feels a like a bit of a distant midwit take to take shots at the appeal it has.
Explain like I'm 13 and don't live in the UK.
Splintering? You have two zombie parties that are really the same in different colours. Of course people are going to vote for other parties that seem more left/right wing. Predictable consequence.
"Blinded by nationalism" I don't know, seems like a clear concise message that has relevance in today's world.
Why nationalism? A flag can represent more than a nation. Can be blinded by any "flag" / ideology.
Since last summer a lot of flags appeared all over the UK.
https://en.wikipedia.org/wiki/Operation_Raise_the_Colours https://manchestermill.co.uk/the-men-who-raised-the-flags/
The ambiguity is part of the charm. Something that reveals more about the beholders than the artist makes for stimulating conversation and discovery.
Even the new positioning of the art on a plinth in some open space is enigmatic. If it were a critique of the powers that be, why would officialdom collaborate in propping it up?
Flags overwhelmingly represent nations, groups considering themselves nations, that were nations or have some kind of individual governmental status.
Interpretations, in my art?
Seriously, this is part of the fun of art. Neither of you are wrong for reading different messages into it.
Is it though? This can mean anything. Is waving a Palestinian flag the same as waving an Israeli flag? Where do we draw the line between harmful and productive nationalism? Who exactly is blinded by nationalism?
It is vague enough to appear deep to those trying to find something deep but not concrete enough to appear as anything that will stick in people's minds for more than a week. Unfortunately a lot of modern art is like this.
Both Israel and Palestine are blinded by ideology. It is a very common failure mode for people.
Any attempt at "both sides" messaging is just an attempt of diversion from ethnic cleansing. Cute messages break down the moment you look at things more concretely.
Even if you don't care about palestine, keep in mind imperialist states never stop at one place as we are already seeing.
waving any flag and thinking its us or them is equally blinding. the world is not vacuum and to coexist we need to put flags behind and work together.
Most galvanizing statements have been pithy and comprehensible to 13 year olds. The general population is not doing a deep dive in to something like Thoreau’s “Resistance to Civil Government,” contemplating the proper role of government, and then getting fired up to act. We need CliffsNotes, slogans, and visible art like this.
Heaven forbid someone tries to communicate a point with art.
I think it deserves credit for being both simple and original.
So, you are 14 and you understand the world? Doesn't seem like it
> Banksy is the patron saint of the “I’m 13 and this is deep” mentality.
You are wrong.
Really riles up PE types and "patriots" though.
This criticism would carry more weight if the people this statue criticises had the intellectual and emotional maturity beyond that of a teenager.
Unfortunately, they often don't meet that bar, so the message has to be in a form they can understand.
"They'd be pretty angry if they could read"
You're being downvoted but honestly the "everyone is twelve now" meme explains our collective societal dysfunction perfectly.
There's no point to complexity or subtlety in art anymore, or even any kind of symbolism at all. Anything that needs to be interpreted, that doesn't have a single objective meaning which gets spelled out for you. Flag man is silly. Everyone is twelve now.
Lana Wachowski has said that the Red Pill movement taught her that no matter how unsubtle you are, it's still too subtle for some people.
He's also king of the "I'll criticize the west but I'll turn a blind-eye to non-democratic countries' wrongdoings". A trait shared with virtually all intellectuals and artists in the west.
There are fights worth fighting: for example there are 300 million women alive who have undergone forced genital mutilation. 300 million ain't cheap change. There are also hundreds of millions of people who applauded the killing of 1200 young civilians who were enjoying life at a music festival "because it's resistance".
Applauding the killing of young unarmed civilians, genitally mutilating women and turning a blind-eye to a regime slaughtering 30 000+ of its own unarmed civilians is where I personally draw the line and consider there are maybe more important things to complain about than, say, "the patriarchal western society built by heterosexual white men" or some other woke non-sense like that.
Now to be honest Banksy did art criticizing war overall, not just war started by the west. So a generous reading could consider that he also criticizes things like the 800 000 deaths during the Hutu vs Tutsi war.
But still overall: lots of balls from western artists when it's about criticizing the west, but tiny tiny nuts when it's about, say, attacking the ideology that is responsible for 300 people enjoying music at the Bataclan and then getting slaughtered.
But these people can live with their own conscience: I speak up and I've got mine.
That's a lot of imaginary flaws in imaginary people, with imaginary numbers as scaffolding.
The moral posture you're criticising is not actually a thing, I personally don't know of any Western intellectual who criticises the West but is fine with FGM for example. But it seems that the fault you find in them is that when they criticise the West, for example, they don't also add a list of grievances against all the other countries (but surely they'd have to speak for 10 hours every time they open their mouths?).
It's also funny how you take the 30,000 Iranian civilians killed at face value, but don't talk about the wrongs of the British empire. And you didn't even mention North Korea once. You see the issue with your reqs?
What do you want the artists to do about it? Part of art's power is shining a light on something we don't notice day to day. Most westeners are against mutilation, what would the art say?
Art will always be about speaking truth to power, and that power will usually be the one closest felt. There's not much value in a swede speaking truth to Nigerian warlords.
Yes, whataboutism comments are the real heros.
Maybe, but in 100 years, people looking back on the current era will easily understand the work. It symbolically communicates something about the spirit of the age.
I misparsed this headline as
(Statue (of a man (blinded by a flag (put up by Banksy)))) in central London
It is intended to be
((Statue (of a man (blinded by a flag))) (put up by Banksy)) in central London
I was like, that's horrible how did this flag cause someone to go blind... Did it like fall on the guy when Banksy was putting it up? oh. duh...
The actual headline is more coherent but I'm not too fond of it either.
You really don't see any good ol' fashioned short and sweet headlines that read best to the ear in a Mid-Atlantic accent anymore.
Banksy erects central London statue of man blinded by flag, maybe?
seems missed in the general commentary that there is also an inherent commentary on the western tradition of “blind justice” https://i.etsystatic.com/13403651/r/il/40b0bf/6851322246/il_...
Banksy's "anonymity" is a total farce at this point, thoroughly supported by those in power.
I'm not sure what you mean by "Those in power" there are lot's of people who know, but recognise that he has chosen anonymity and see no value in putting a name to the person.
It's not so much a secret as it is simply not public.
Who cares? Are you similarly triggered by The Rock or Alemao? Banksy is Banksy.
The piece states that it appears to be molded fiberglass. But is anyone aware of any more in depth analysis of its materials/possible production technique? Was the pillar barren on top before?
The pillar is fiberglass too, I believe.
There's a (mostly terrible) documentary about a previous bansky "statue" deposited in London that, in one of its better moments, tracks down the people who actually make statues for artists like banksy.
https://en.wikipedia.org/wiki/The_Banksy_Job
Yeah, definetly had the city agree to it, no way in hell to sneak a statue like that without the cops getting involved.
Banksy (Robin Gunningham) is the most mainstream establishment artist, while thinks himself a counter-culture revolutionary. That's what makes him so cringe. He's just another champagne socialist.
The trick is not to sneak it. Hi Viz and some yellow flashing lights. Couple smooth talkers.
Agreed. Also why it's totally inoffensive
(Though it's not in /the/ City of London. That wouldn't happen in a million years! City of Westminster is way more culturally flexible)
It doesn't make sense in the City. Waterloo Place, where he put this, has a bunch of statues already for tourists to gawp at, just now as well as "Bloke on a Horse who was an important military leader" there's this guy stepping off his plinth because the flag blocks him from seeing what's in front of him.
The City is dead at night. If an artist wants to put art there, they'd just as somebody else said, dress up like they are workmen and be fine.
Anyone else leaving up a huge statue in the middle of the park would be arrested
It took me a minute to figure out why I think it's lame.
I suspect that Banksy and his fans are sure that it's "the other" Britons that are blinded, it's not a self-reflection prompt for them. Maybe I am wrong.
Maybe a more powerful piece of art would have that self reflection effect across the board. As is it feels about as nuanced as "fuck trump" and similar. If you already agree you already agree, if not then you just think it's stupid. So ultimately feels like impotent art unless I am totally misunderstanding.
So many people connect this to political topics... For me this is the genius thing about the statue. Seems to be, that quite a lot people are so wrapped up in political debates and political positions, that it has to have political meaning. Maybe this statue is the exact opposit thing of a political message.
He definitely got a permit for that which makes the whole thing even more laughable
Wind bad.
Which flag?
The one he's carrying.
Any flag.
A black flag!
Statue of a man in a suit walking off a precipice while blinding himself with the flag he is carrying.
https://banksy.co.uk/index.html
Who decides that this is from Banksy? I could make a stencil graffiti in my village and claim it's from Banksy and noone could prove me wrong. Or is he using a digital signature as proof of authorship?
He posts on his Instagram to verify authenticity: https://www.instagram.com/p/DXwf7pis6KT
If you want to know authenticity, you submit to https://pestcontroloffice.com/auth1.asp -- they verify / deny, and that is the final word.
Is that site for real? It almost seems like some kind of Monty Pythonesque humour site.
Yes it's real: https://banksy.co.uk/in.html (licensing)
His agent would tell the media that your vandalism is not genuine
Really makes you think. I guess Palestine and Ukraine should just give up.
Palestine should give up on the terrorist attacks, certainly. No-one but the worst of the worst Islamists want to see another October 7th.
Israel should give up on the apartheid, genocide, and the war crimes. No one but the worst of the worst Zionists want to see the continuation of the last 80 years.
Remember kids. Don't believe in anything. Don't join anything. Don't give even a small part of yourself up to anything. Don't be part of anything bigger than yourself.
Don't be part of anything bigger than yourself that treats you as expendable human oil.
Counterpoint: Where I come from, families don't have flags.
much more sound advice than you think…
Trite and uninspiring. Banksy trying to stay relevant and failing.
Well, for a failing artist he is quite impactful, isn't he? News around the world reporting about it. People discussing it. This seems to be quite inspiring and anything else but failing.