Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.
I am a handyman and have a lot of weird, specific physical skills. Like being able to paint around an electrical outlet, caulking, leveling concrete, juggling, cartwheels, tying cherry stems in my mouth, etc. The life of an embodied worker.
When I am teaching anyone any of these skills, the first thing I say is “are you ready to be bad at this for a long time?” Sometimes it catches people off guard. On the other hand, if someone says “yes” then I know that they are going to be a good learner.
I'm not a handyman, but I am a man who happens to be handy.
I have done quite a bit of painting and caulking for a guy who's not in the profession. I despise both with a passion, though, especially caulking, and I have never once been satisfied with a single paint or caulk job I've done. I feel like I'm the embodiment of "be bad at this for a long time," although I'm objectively probably halfway decent at it.
That is to say I think Ira Glass' quote of "You've just gotta fight your way through" to get where you want to be seems especially meaningful in the context of something like painting, where most everyone _can_ do it (or writing / storytelling in Ira's case), but very few are actually good at it.
>And your taste is why your work disappoints you. [...] We know our work doesn’t have this special thing that we want it to have.
I think most of us have experienced this. I consider myself an above-average writer and I absolutely hate everything I write.
But the problem, for me anyway, is that it's exceedingly difficult to know what to work on next in order to improve. In that regard writing is entirely unlike a lot of sports.
My throws are bad? Better throw 100 passes a day, every day, until my muscle memory is there. I'm getting beat deep? Better work on my fitness. Maybe I'll never get to where I want to be, but at least I know why.
But improving one's writing is seemingly impenetrable, to me. I read what I write and it sucks but I have zero intuition about how to un-suck it. I fucking wish I could write like Heller, or Didion, or Tolkien. Not even in terms of writing novels but just the quality of their prose.
one concrete thing I can name is "widening" your view on writing. force different styles upon yourself, different constraints. the results will keep being shit for a while, but at least it will be very fun to tonally cosplay Shakespear before the mirror! you won't notice how time will pass :)
listening to narrations of vast variety of poetry and narrating something yourself will help you develop your specific voice and read with more intent.
you may not even need the "science of writing" this article describes. let yourself just... be with text.
“I used to hate writing assignments, but now I enjoy them. I realized that the purpose of writing is to inflate weak ideas, obscure poor reasoning and inhibit clarity. With a little practice, writing can be an intimidating and impenetrable fog!”
A few years ago I was also like this. I wrote fiction but never tried pursuing it as a "real" hobby because I wasn't perfect at it first try. Why bother at all, right? ;)
"Good" Fiction writing is an inaccurate science but has a similar trajectory to what the author went through. To become good at it you _need_ to read other people's works (the good AND the bad stuff) to figure out for yourself what makes that writing stick out to you, and you need to learn to love to edit, and to show people what you did.
The most time consuming portion of the writing process is the editing process in my opinion. It's also my most favourite part. You take a half-formed idea and you cut. And you tweak. And then you cut some more, until paragraphs start to take the shape of the story you actually wanted to tell, and sentences become so load bearing you can't remove any of them without altering everything around it. It's a puzzle with no real "solution" other than what I feel works.
Really, it's only after I kept at this for a while (and put things out there and didn't get bad comments at all!) that I started to get a little more confident in myself and begin to go to writing groups and such. It's hard work but it's worth it, just like any skill.
I finished my PhD and still hate (or at least severely dislike scientific writing). It just feels so pointless most of the time plus you constantly have to compromise on most of the text until it says almost nothing
Academic writing is surprisingly hard. Distilling months or years of work into its essential ideas is almost as challenging (for me anyway) as the research itself.
Often it forces a clarity that only comes from writing ideas down in a way that's necessary to explain your results to your peers.
The process itself sucks, but the outcomes are often quite satisfying and rewarding.
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.
- Ira Glass
I am a handyman and have a lot of weird, specific physical skills. Like being able to paint around an electrical outlet, caulking, leveling concrete, juggling, cartwheels, tying cherry stems in my mouth, etc. The life of an embodied worker.
When I am teaching anyone any of these skills, the first thing I say is “are you ready to be bad at this for a long time?” Sometimes it catches people off guard. On the other hand, if someone says “yes” then I know that they are going to be a good learner.
I'm not a handyman, but I am a man who happens to be handy.
I have done quite a bit of painting and caulking for a guy who's not in the profession. I despise both with a passion, though, especially caulking, and I have never once been satisfied with a single paint or caulk job I've done. I feel like I'm the embodiment of "be bad at this for a long time," although I'm objectively probably halfway decent at it.
That is to say I think Ira Glass' quote of "You've just gotta fight your way through" to get where you want to be seems especially meaningful in the context of something like painting, where most everyone _can_ do it (or writing / storytelling in Ira's case), but very few are actually good at it.
>And your taste is why your work disappoints you. [...] We know our work doesn’t have this special thing that we want it to have.
I think most of us have experienced this. I consider myself an above-average writer and I absolutely hate everything I write.
But the problem, for me anyway, is that it's exceedingly difficult to know what to work on next in order to improve. In that regard writing is entirely unlike a lot of sports.
My throws are bad? Better throw 100 passes a day, every day, until my muscle memory is there. I'm getting beat deep? Better work on my fitness. Maybe I'll never get to where I want to be, but at least I know why.
But improving one's writing is seemingly impenetrable, to me. I read what I write and it sucks but I have zero intuition about how to un-suck it. I fucking wish I could write like Heller, or Didion, or Tolkien. Not even in terms of writing novels but just the quality of their prose.
one concrete thing I can name is "widening" your view on writing. force different styles upon yourself, different constraints. the results will keep being shit for a while, but at least it will be very fun to tonally cosplay Shakespear before the mirror! you won't notice how time will pass :)
listening to narrations of vast variety of poetry and narrating something yourself will help you develop your specific voice and read with more intent.
you may not even need the "science of writing" this article describes. let yourself just... be with text.
“I used to hate writing assignments, but now I enjoy them. I realized that the purpose of writing is to inflate weak ideas, obscure poor reasoning and inhibit clarity. With a little practice, writing can be an intimidating and impenetrable fog!”
https://www.gocomics.com/calvinandhobbes/1993/02/11
While that was anticlimactic. I thought there would be at least a little more insight than just practise more.
The most prolific author in the world, Ryoki Inoue, published over 1000 books. He has basically the same advice.
> "The secret of the creative process is in 98% of sweat, 1% of talent and 1% of luck."
A few years ago I was also like this. I wrote fiction but never tried pursuing it as a "real" hobby because I wasn't perfect at it first try. Why bother at all, right? ;)
"Good" Fiction writing is an inaccurate science but has a similar trajectory to what the author went through. To become good at it you _need_ to read other people's works (the good AND the bad stuff) to figure out for yourself what makes that writing stick out to you, and you need to learn to love to edit, and to show people what you did.
The most time consuming portion of the writing process is the editing process in my opinion. It's also my most favourite part. You take a half-formed idea and you cut. And you tweak. And then you cut some more, until paragraphs start to take the shape of the story you actually wanted to tell, and sentences become so load bearing you can't remove any of them without altering everything around it. It's a puzzle with no real "solution" other than what I feel works.
Really, it's only after I kept at this for a while (and put things out there and didn't get bad comments at all!) that I started to get a little more confident in myself and begin to go to writing groups and such. It's hard work but it's worth it, just like any skill.
I finished my PhD and still hate (or at least severely dislike scientific writing). It just feels so pointless most of the time plus you constantly have to compromise on most of the text until it says almost nothing
Academic writing is surprisingly hard. Distilling months or years of work into its essential ideas is almost as challenging (for me anyway) as the research itself.
Often it forces a clarity that only comes from writing ideas down in a way that's necessary to explain your results to your peers.
The process itself sucks, but the outcomes are often quite satisfying and rewarding.
See also: <https://www.youtube.com/watch?v=vtIzMaLkCaM>, Larry McEnerney’s lecture The Craft of Writing Effectively.
The post doesn't actually describe any kind of science to writing. That was disappointing.
So "be bad until git gud" through iterations and refining.
Nice of her not to divulge the science of it and just say it's a lot of iterations.
That would not make me hate writing less.
Didn't sound like any science was involved. There were no observing, hypothesizing and testing steps to be found. Can't have science without those.
Science is like that too, it's mostly very tedious and repetitive work.