Thank you for this article. What a refreshment from so many articles about AI…
What’s important and complex in Shakespeare plays, is not what it’s written, but what’s left to the interpretation of the director, or even of the public — the ambiguities, the imperfections, that let us imagine the motivations of the characters (as the article points - the motives are clear but not the motivations), and let us perceive their emotions, feel their reactions, mixed with ours.
This unearths some thoughts, back from my English degree twenty years ago
But basically I don't think those problems are all meant to be solved
Yes, the supernatural events described on stage are very difficult to pull off even with modern effects. But they were impossible with Jacobean setups. And that's kind of the point
There is always a tension between what is seen and spoken in that play. We're meant to get the sense that Macbeth is partly talking himself into his frenzy
Supernatural events happen but they kind of have a bathetic, eye-rolling quality to them, like the prophecy that "Great Birnam Wood to high Dunsinane Hill / Shall come against him"
Which YEAH, it does, in that Macbeth's enemies construct a bunch of battering rams from the forest timber. You are supposed to groan at that. Magic is way weaker than any of the human beings and their ordinary vices
Not a joke, I think. Thespians are a superstitious bunch and the Scottish play at this point is virtually a self-fulfilling prophecy of disastrous productions.
Thank you for this article. What a refreshment from so many articles about AI…
What’s important and complex in Shakespeare plays, is not what it’s written, but what’s left to the interpretation of the director, or even of the public — the ambiguities, the imperfections, that let us imagine the motivations of the characters (as the article points - the motives are clear but not the motivations), and let us perceive their emotions, feel their reactions, mixed with ours.
Exactly what generative AI doesn't let you do.
This unearths some thoughts, back from my English degree twenty years ago
But basically I don't think those problems are all meant to be solved
Yes, the supernatural events described on stage are very difficult to pull off even with modern effects. But they were impossible with Jacobean setups. And that's kind of the point
There is always a tension between what is seen and spoken in that play. We're meant to get the sense that Macbeth is partly talking himself into his frenzy
Supernatural events happen but they kind of have a bathetic, eye-rolling quality to them, like the prophecy that "Great Birnam Wood to high Dunsinane Hill / Shall come against him"
Which YEAH, it does, in that Macbeth's enemies construct a bunch of battering rams from the forest timber. You are supposed to groan at that. Magic is way weaker than any of the human beings and their ordinary vices
Performances at my local theatre are banned.
The crowd loved the short five-night run, last time. It made all the papers, tickets sold out, tourists rocked up for it.
Seven actors were injured, in a space that usually saw one injury a year. Six were ruled unavoidable by the fire warden doing the post-assessments.
Banned why? I understand why you wouldn’t want to reveal your location, but I’d be interested to know where such a policy was enacted.
Or this is a joke on the “curse”?
Not a joke, I think. Thespians are a superstitious bunch and the Scottish play at this point is virtually a self-fulfilling prophecy of disastrous productions.