It feels bolted on to an otherwise cool thing. Even angling the board, or smudging, dimming color, localizing language, etc. All would make it feel like it fits.
I know this is going to sound ridiculous, but the way the dithering is used feels very "generated" and chaotic.
Human pixel art tends to be very deliberate about the exact colors of every pixel and their placement tends to follow idealized shapes. The last time I saw dithering this sloppy was decades ago when people would scan photos as low color images. It is its own vibe, but it's a cold and rough one. These artifacts feel more "realistic", but it felt like slop back then too.
Gorgeous, very well executed. I'm guessing the primary request will be more cities but I'll deviate and say I'd love to see more views as well. Would be nice to have the same set of cities by I can see it from a studio view same way it is in the Paris view. Or from an office. Or a cafe.
Maybe to a degree but this isn’t just somebody using Seeddance to generate a first-frame-and-last-frame video loop and calling it a day.
There's definitely some manual curation. They even have assets that are clearly being placed into the scene, like the boats moving in the water.
You could theoretically generate all possible animated sprites (birds, people, vehicles, etc.) for use in any given cityscape, but automatically segmenting/detecting the different valid "paths/waypoints" where those assets should be placed would probably end up looking pretty janky.
There's a lot of AI on the author's github, so I would assume so. I have no idea how I feel about these sorts of things. On the one hand I think it's objectively a super neat idea, but it makes me sad that a human (probably) didn't make the art/songs.
I use a compiler to perform a task. I don’t use pixel art to perform a task, other than to feel connection to another human —- something AI makes more challenging.
I've been thinking about this a lot lately. I feel very averse to consuming AI media, but it's not super obvious to me why. In some sense, I agree with what you're saying, but in reality no pixel art of a city I've never been to would elicit that feeling in me. Maybe I would feel differently if it were art of the city I live in and had some pixels dedicated to specific things I think are cool about the city, but for this website in particular it could be the best pixel art of SF ever made and I don't think it would be all that meaningful to me.
The main conclusion I've come to is that it's less that I dislike AI art inherently, and rather that I value the human decisions in media that I personally care about, and AI media threatens both its creation and how much other people value such things.
Ah that's a bummer. I'm unsure if this is gonna change over time, but it entirely tanks my enjoyment of any visual art project to know it was generated.
For some reason the lofi hiphop being generated (?) bothers me less, maybe because it already feels like such a commoditized genre.
AI-generated sung vocals is still my biggest ick across the board though, possibly worse than realistic AI imagery
I was having a very similar thought - finally a nice use case for HTML wallpapers like Windows used to have them. I bet that there's a trick to have this as a desktop background in Wayland, but I'm too lazy to find out right now.
Either way, really nicely made, I love it! Small change request: adjust the CSS to make the controls look less vibecode-y.
The product hunt ad is breaking the immersion for me. I know that most cities have ads but still, I prefer ad free pixel art.
It’s also not realistic, in one landscape the billboard is taller than a 9 story building.
It feels bolted on to an otherwise cool thing. Even angling the board, or smudging, dimming color, localizing language, etc. All would make it feel like it fits.
I know this is going to sound ridiculous, but the way the dithering is used feels very "generated" and chaotic.
Human pixel art tends to be very deliberate about the exact colors of every pixel and their placement tends to follow idealized shapes. The last time I saw dithering this sloppy was decades ago when people would scan photos as low color images. It is its own vibe, but it's a cold and rough one. These artifacts feel more "realistic", but it felt like slop back then too.
Gorgeous, very well executed. I'm guessing the primary request will be more cities but I'll deviate and say I'd love to see more views as well. Would be nice to have the same set of cities by I can see it from a studio view same way it is in the Paris view. Or from an office. Or a cafe.
So cool. Add Los Angeles, Cape Town, Florence, Cairo, Athens, Vancouver, São Paulo.
Actually, shouldn't it be possible to auto-generate any city via AI on demand?
Maybe to a degree but this isn’t just somebody using Seeddance to generate a first-frame-and-last-frame video loop and calling it a day.
There's definitely some manual curation. They even have assets that are clearly being placed into the scene, like the boats moving in the water.
You could theoretically generate all possible animated sprites (birds, people, vehicles, etc.) for use in any given cityscape, but automatically segmenting/detecting the different valid "paths/waypoints" where those assets should be placed would probably end up looking pretty janky.
Love it! Really cool idea!
This is a vibe! Is this pixel art AI generated?
There's a lot of AI on the author's github, so I would assume so. I have no idea how I feel about these sorts of things. On the one hand I think it's objectively a super neat idea, but it makes me sad that a human (probably) didn't make the art/songs.
A human did --- just indirectly, in the same way as using a compiler or assembler instead of writing each byte by hand.
I use a compiler to perform a task. I don’t use pixel art to perform a task, other than to feel connection to another human —- something AI makes more challenging.
I've been thinking about this a lot lately. I feel very averse to consuming AI media, but it's not super obvious to me why. In some sense, I agree with what you're saying, but in reality no pixel art of a city I've never been to would elicit that feeling in me. Maybe I would feel differently if it were art of the city I live in and had some pixels dedicated to specific things I think are cool about the city, but for this website in particular it could be the best pixel art of SF ever made and I don't think it would be all that meaningful to me.
The main conclusion I've come to is that it's less that I dislike AI art inherently, and rather that I value the human decisions in media that I personally care about, and AI media threatens both its creation and how much other people value such things.
Yes according to the author - the assets were created with AI tooling.
https://safaelmali.gumroad.com/l/lofi-cities-complete-collec...
Ah that's a bummer. I'm unsure if this is gonna change over time, but it entirely tanks my enjoyment of any visual art project to know it was generated.
For some reason the lofi hiphop being generated (?) bothers me less, maybe because it already feels like such a commoditized genre.
AI-generated sung vocals is still my biggest ick across the board though, possibly worse than realistic AI imagery
This would be cool as a Roku channel
So cool
Man, wish we had dynamic wallpapers like this, and we could have had it decades ago.
Why do companies like Apple & Microsoft sterilize themselves so?
Wallpapers that move would make for poor usability.
I was having a very similar thought - finally a nice use case for HTML wallpapers like Windows used to have them. I bet that there's a trick to have this as a desktop background in Wayland, but I'm too lazy to find out right now.
Either way, really nicely made, I love it! Small change request: adjust the CSS to make the controls look less vibecode-y.
While it's not free or a first party offering, I've had great success with Cindori Backdrop:
https://cindori.com/backdrop