This is just depressing to me having literally grown up in a darkroom.
"For years my process looked like this: load film and take photos, ....[blah blah blah]... the exported image."
"At first this was an exciting process for me. Then as the number of rolls increased, so did my effort to do this for 36 frames per roll."
I shot black and white film sine the 70's, medium and 35mm. I would develop the negatives and prints myself. The complete process was a joy. I never printed every shot, but I put care into each shot I processed. I was careful when I took a photograph, because the cost limited how much I shot. This made me a better photographer.
I later started scanning my film with a Nikon CoolScan (this was in the late 90's) and i already started hating it. Then I started full digital and now I do not shoot anymore (I was semi professional with Art work published in national magazines).
"My part is now the part I can thoroughly enjoy, which is looking at the results I’ve snapped and finding inspiration to snap more."
Why do any of this just shoot digital if you do not care about the process?
Some aspects of the process seem more like labor than a form of self-expression. I think if you are into the limitations of shooting film photos it makes sense.
Interesting project! I scan 35mm and medium-format film with a mirrorless camera, macro lens, and Lomography film holder, then convert with Negative Lab Pro in Lightroom. I’m happy with the results, but the Lightroom subscription has me considering writing my own converter.
Could you share more about your NumPy pipeline, or publish the code? I’m particularly curious about how you use the blank film reference and roll-level measurements to handle the orange mask, color balance, and tone curves. Do you use camera/scanner calibration profiles or film-stock-specific adjustments, or estimate everything from the scans themselves?
Also, your screenshot appears to show an OpticFilm 7400. Would you recommend it, and roughly what did you pay? Have you tried camera scanning? I’ve been considering automating film advance and capture on my setup, but consistent color conversion is the part I’m least confident about.
You should check out the negpy project. It in my view has the best inversion process. It claims to emulate the whole analog print chain in the inversion process. They have a fold works cited.
It also automates most of the process. It works with SANE, some other legacy scanners, and camera scanning. It can even do trichrome scans automatically.
Of course, it's impossible to know for sure what was LLM processed or not, but some of your posts (like this one) have been getting classified that way.
It is a very sensible and reasonable comment- literally all questions I'd want to ask to replicate the setup, in a format that's easy to parse. If the author did use LLM it did not substantially alter the content of their question.
This is just depressing to me having literally grown up in a darkroom.
"For years my process looked like this: load film and take photos, ....[blah blah blah]... the exported image."
"At first this was an exciting process for me. Then as the number of rolls increased, so did my effort to do this for 36 frames per roll."
I shot black and white film sine the 70's, medium and 35mm. I would develop the negatives and prints myself. The complete process was a joy. I never printed every shot, but I put care into each shot I processed. I was careful when I took a photograph, because the cost limited how much I shot. This made me a better photographer.
I later started scanning my film with a Nikon CoolScan (this was in the late 90's) and i already started hating it. Then I started full digital and now I do not shoot anymore (I was semi professional with Art work published in national magazines).
"My part is now the part I can thoroughly enjoy, which is looking at the results I’ve snapped and finding inspiration to snap more."
Why do any of this just shoot digital if you do not care about the process?
Some aspects of the process seem more like labor than a form of self-expression. I think if you are into the limitations of shooting film photos it makes sense.
Interesting project! I scan 35mm and medium-format film with a mirrorless camera, macro lens, and Lomography film holder, then convert with Negative Lab Pro in Lightroom. I’m happy with the results, but the Lightroom subscription has me considering writing my own converter.
Could you share more about your NumPy pipeline, or publish the code? I’m particularly curious about how you use the blank film reference and roll-level measurements to handle the orange mask, color balance, and tone curves. Do you use camera/scanner calibration profiles or film-stock-specific adjustments, or estimate everything from the scans themselves?
Also, your screenshot appears to show an OpticFilm 7400. Would you recommend it, and roughly what did you pay? Have you tried camera scanning? I’ve been considering automating film advance and capture on my setup, but consistent color conversion is the part I’m least confident about.
You should check out the negpy project. It in my view has the best inversion process. It claims to emulate the whole analog print chain in the inversion process. They have a fold works cited.
It also automates most of the process. It works with SANE, some other legacy scanners, and camera scanning. It can even do trichrome scans automatically.
To reiterate, those were legit questions. I used voice dictation to my phone, with an app that transcribed and formatted my message.
Can you please not post AI-generated or AI-edited comments to HN? It's not allowed here - see https://news.ycombinator.com/newsguidelines.html#generated and https://news.ycombinator.com/item?id=47340079.
Of course, it's impossible to know for sure what was LLM processed or not, but some of your posts (like this one) have been getting classified that way.
It is a very sensible and reasonable comment- literally all questions I'd want to ask to replicate the setup, in a format that's easy to parse. If the author did use LLM it did not substantially alter the content of their question.